List of Illustrations
Preface: In The Light of Our Screens
Acknowledgments
Part I. What Is a "Philosophy-Cinema?"
1. Sartre and Deleuze via Bergson
2. The Philosopher and the Moviemaker: Merleau-Ponty and the Meaning of Cinema
3. The Torn Curtain: Lyotard, the Screen, and a Cinema Named Desire
Part II. The Animated Life of Screens
4. Delimiting to Exceed: The Theme of the "Arche-Screen"Founding Itself with Its Variants
5. Come Live with Me: The Seduction of the Screens Today
6. Making Philosophy among and through the Screens
Notes
Index

Mauro Carbone is Full Professor of Philosophy at the University Jean Moulin Lyon 3 and honorary member of the Institut Universitaire de France. His books include The Flesh of Images: Merleau-Ponty between Painting and Cinema (translated by Marta Nijhuis) and An Unprecedented Deformation: Marcel Proust and the Sensible Ideas (translated by Niall Keane), both also published by SUNY Press. Marta Nijhuis is Lecturer in Philosophy and Theory of Images at the University Jean Moulin Lyon 3 and at EAC Lyon.