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The Translation of Realia and Irrealia in Game Localization
Culture-Specificity between Realism and Fictionality
von Silvia Pettini
Verlag: Routledge
Gebundene Ausgabe
ISBN: 978-0-367-43232-4
Erschienen am 20.09.2021
Sprache: Englisch
Format: 235 mm [H] x 157 mm [B] x 18 mm [T]
Gewicht: 514 Gramm
Umfang: 246 Seiten

Preis: 202,10 €
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Biografische Anmerkung
Inhaltsverzeichnis
Klappentext

Silvia Pettini, PhD, is adjunct lecturer in Translation Studies at Roma Tre University, Italy. Her main research interests are Game Localization, Audiovisual Translation and Lexicography. She has published papers in international journals such as Translation Spaces and The Journal of Internationalization and Localization and book chapters in volumes such as Linguistic and Cultural Representation in Audiovisual Translation (Routledge, 2018) and The Routledge Handbook of Translation, Feminism and Gender (Routledge, 2020).



List of Figures

List of Tables

List of Abbreviations

Acknowledgements

1 Introduction

2 Game Localization and Translation

3 Culture-Specificity in Video Games: The Interface between Realism and Fictionality

4 Realia and Irrealia in Game Translation

5 Military Language between Realism and Fictionality

6 Conclusions and Further Research

References

Gameography

Index



This book explores the impact of a video game's degree of realism or fictionality on its linguistic dimensions, investigating the challenges and strategies for translating realia and irrealia, the interface of the real world and the game world where culture-specificity manifests itself.
The volume outlines the key elements in the translation of video games, such as textual non-linearity, multitextuality, and playability, and introduces the theoretical framework used to determine a game's respective degree of realism or fictionality. Pettini applies an interdisciplinary approach drawing on video game research and Descriptive Translation Studies to the linguistic and translational analysis of in-game dialogs in English-Italian and English-Spanish language pairs from a corpus of three war video games. This approach allows for an in-depth look at the localization challenges posed by the varying degree of realism and fictionality across video games and the different strategies translators employ in response to these challenges. A final chapter offers a comparative analysis of the three games and subsequently avenues for further research on the role of culture-specificity in game localization.
This book is key reading for students and scholars interested in game localization, audiovisual translation studies, and video game research.


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