Contents

Acknowledgements

List of Illustrations

Introduction

First Encounters

1. Anon., 'Department of Physics'


2. Anon., 'Magic Lantern Kinetoscope'


3. Anon., 'Sporting Notions'


4. Maxim Gorky, 'Last Night I Was in the Kingdom of Shadows'


5. Jean Renoir, 'My Life and My Films'


6. Junichiro Tanizaki, 'Childhood Years'


7. Joan Courthope, 'Diaries of Joan Courthope'


8. Mozaffar al-Din Shah Qajar, 'Cinema in Iran'


9. Edward Wagenknecht, 'The Movies in the Age of Innocence'


10. Filson Young, 'Kinema'


11. Robert Roberts, 'The Classic Slum'


12. Fermin Rocker, 'The East End Years'


13. Ingmar Bergman, 'Magic Lantern'


14. Leila Berg, 'Flickerbook'


15. John Sutherland, 'Magic Moments'


16. John Wyver, 'Live from the Met'

Audiences

Places

Players

Reality

Fears and Desires

Coda

Bibliography
Index

This book is a carefully selected, thematically arranged collection of eyewitness accounts of seeing motion pictures - from the 1890s to the present day, and from countries across the globe. Included are essays, diaries, memoirs, travel accounts, oral history interviews, poems and extracts from novels. These verbatim accounts - from both professional and amateur writers - have been selected not only for what they tell us about the historical experience of cinema in many countries, but also for their literary value. Here is evocative testimony that shows how deeply cinema touches emotional needs, and the huge impact that the cinema has had on modern society.

While most film history studies are centred on films or those who produce them, Picturegoers puts the voices of the audience first. It analyses and celebrates the audience's point of view, shaped by time, experience and place, providing a rich, entertaining portrait of a medium that became so transformative precisely because anyone, rich or poor, educated or not, could share in it.

The book will appeal to scholars interested in the relationship between cinema and society, those engaged in audience studies, and general readers interested in world cinema history.

Luke McKernan is a film historian with a particular interest in film audiences and the sociological study of cinema. He has been collecting examples of eyewitness testimony of cinemagoing for many years through the website https://picturegoing.com. His book Charles Urban: Pioneering the Non-Fiction Film in Britain and America, 1897-1925 (Exeter, 2013) won the 2014 Kraszna-Krausz Moving Image Book Award.