Maksymilian Del Mar is Professor of Legal Theory and Legal Humanities at Queen Mary University of London, UK.

Introduction
I. The Claim
II. The Story of a Project
III. Limits and Scope of this Book
IV. The Painting on the Cover

Part I: Models
1. Inquiry
I. Beyond the Dichotomy of Justification and Discovery
II. Social: Interactive and Collective
III. Diachronic
IV. Experimental
V. Normative
2. Artefacts
I. Rhetoric
II. Cognitive Humanities
III. Fictionality
IV. Signalling Artifice
V. Calling on us to Participate
3. Imagination
I. Approaching Imagination
II. Entering a Distinctive Epistemic Frame
III. Varieties of Participation I: Affective
IV. Varieties of Participation II: Sensory
V. Varieties of Participation III: Kinesic
4. Enabling Inquiry
I. The Four Case Studies
II. Enabling Inquiry I: Individual
III. Enabling Inquiry II: Social

Part II: Case Studies
5. Fictions
I. Approaching Fictions
II. Fictions of Causation
6. Metaphors
I. Approaching Metaphors
II. Of Trees and Mistresses
7. Figures
I. Approaching Figures
II. The Officious Bystander
8. Scenarios
I. Approaching Scenarios
II. The Expert Abroad - Or in Hong Kong

Conclusion
I. Legal Techne: Couplings of Form and Cognition
II. The Variability of Artefacts and Imagination
III. Kinesic Legal Theory and History
IV. The Politics of Artefacts and Imagination
V. Varieties of Play in Legal Education