Film Feminisms offers a global and updated overview of the history, present-day concerns, and future of feminist film and theory.

Kristin Lené Hole is an Assistant Professor in Film Studies at Portland State University. She is the author of Towards a Feminist Cinematic Ethics: Claire Denis, Emmanuel Levinas, and Jean-Luc Nancy (2016) and co-editor of The Routledge Companion to Cinema and Gender (with Dijana Jelaca, E. Ann Kaplan, and Patrice Petro, 2017).¿

Dijana Jelaca is Adjunct Professor in the Film Department at Brooklyn College. She is the author of Dislocated Screen Memory: Narrating Trauma in Post-Yugoslav Cinema (2016).

Introduction

Chapter One: Women Filmmakers and Feminist Authorship

Chapter Two: Spectatorship and Reception

Chapter Three: Cinema and the Body

Chapter Four: Stars: Gendered Texts, Circulating Images

Chapter Five: Documentary: Local Realities, (Trans)National Perspectives

Chapter Six: Feminism and Experimental Film and Video

Chapter Seven: Narrative Film: Gender and Genre

Chapter Eight: From Film to New Media: Emergent Feminist Perspectives