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Earmarked for Collision
A Highly Biased Tour of Collage Animation
von Chris Robinson
Verlag: CRC Press
Reihe: Focus Animation
Gebundene Ausgabe
ISBN: 978-1-032-10312-9
Erschienen am 25.05.2023
Sprache: Englisch
Format: 216 mm [H] x 140 mm [B] x 10 mm [T]
Gewicht: 318 Gramm
Umfang: 134 Seiten

Preis: 65,50 €
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Biografische Anmerkung
Klappentext
Inhaltsverzeichnis

Chris Robinson is a Canadian writer and author. He is also the Artistic Director of the Ottawa International Animation Festival (OIAF) and is a well-known figure in the animated film world. In 2020, he was awarded for Outstanding Contribution to Animation Studies by the World Festival of Animation Film - Animafest Zagreb. In 2022, he received the Rene Jodoin Prix for his contributions to Canadian animation.

Robinson has been called "one of the stylistically most original and most provocative experts in the history of animation. He made a name for himself with a unique and eclectic magazine column Animation Pimp, which became a book of the same name. He is a frequent contributor to Cartoon Brew and Animation World Magazine.

Mastering different methods and styles in critical and scholarly approaches, Robinson covers a broad range of Canadian and global subject matters in his books Estonian Animation: Between Genius and Utter Illiteracy, Unsung Heroes of Animation, Canadian Animation: Looking for a Place to Happen, Ballad of a Thin Man: In Search of Ryan Larkin, Animators Unearthed, and Japanese Animation: Time out of Mind.

In addition to his writing on animation, Robinson also wrote the Award-winning animated short, Lipsett Diaries (2010) directed by Theodore Ushev, a graphic novel, My Balls are Killing Me, and a live-action feature script, Idling



In Earmarked for Collision, award-winning writer, Chris Robinson (The Animation Pimp, Mad Eyed Misfits, Unsung Heroes of Animation), takes us on a tour of the history of collage animation, cataloguing the collage works of notable artists like Larry Jordan, Harry Smith, Stan Vanderbeek, Janie Geiser and more.



Author Bio. 1 Breaking Stones with a Feather: Why Collage? 2 Umbrellas and Sewing Machines - A Brief Look at the History of Collage Art: Torn Formations. 3 Fist Fights, Alchemists, Magicians and Python: 1950s/1960s. 4 Hi-Fi Cadets Kidnapping a Jukebox of Frank Pearly Oysters: 1970/1980s. 5 Pending Elliptical Ghost Perverts: 1990s/2000s. 6 The Accidental Luxuriance of Recycled Utopian Erodium Pressure Pistols: 2010 and Beyond. 7 Are We All Just Collages?. Bibliography. Index.


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