Using the Regenerative economic model - also known as Doughnut Economics - Susan Hayward offers a thought-provoking sketch for a renewed, tentatively revolutionary, approach to both film theory and film practice.

Susan Hayward is Emeritus Professor of Cinema Studies at Exeter University. She is the author of numerous books on French Cinema and Cinema Studies: The Key Concepts (now in its fifth edition).

Introduction

Chapter One: Film and ecology, Doughnut Economics, and film theory

Chapter Two: Film and the Anthropocene: dirty Capitalism - Mildred Pierce (1945), Tulsa (1949), and Giant (1956)

>Make->Use->Re-use - Erin Brockovich (2000), Wall Street (1987), and The Wolf of Wall Street (2013)

Chapter Four: A moral imperative to REVOLT: Hotel Rwanda (2004) and Caphernaüm (2018)