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A History of Heaven
The Singing Silence
von Jeffrey Burton Russell
Verlag: Princeton University Press
Hardcover
ISBN: 978-0-691-00684-0
Erschienen am 03.01.1999
Sprache: Englisch
Format: 234 mm [H] x 156 mm [B] x 15 mm [T]
Gewicht: 435 Gramm
Umfang: 252 Seiten

Preis: 37,10 €
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Biografische Anmerkung
Klappentext

Jeffrey Burton Russell is Professor Emeritus of History at the University of California, Santa Barbara. Besides UCSB, he has taught History and Religious Studies at Berkeley, Riverside, Harvard, New Mexico, and Notre Dame. He has published seventeen books and many articles, most of them in his special field, history of theology. His other books include a five-volume history of the concept of the Devil published by Cornell University Press between 1977 and 1988, 'Inventing the Flat Earth' (1991), and 'A History of Heaven: The Singing Silence' (1997).



Well-known for his historical accounts of Satan and hell, Jeffrey Burton Russell here explores the brighter side of eternity: heaven. Dispensing with the cliché images of goodness that can make even heaven seem unbearable, the author stimulates our imagination with a history of how the joy of paradise has been conceived by writers, philosophers, and artists for whom heaven was an imminent reality. Russell not only explores concepts found among the ancient Jews, Greeks, and Romans as well as early and medieval Christians, but also addresses the intellectual problems heaven poses: how does time "pass" in eternity? is heaven a place or a state? who is in and who is not? what happens to the body and soul between death and Judgment Day? Russell stresses that the best way to approach the logic-defying concept of a place occupying neither space nor time is through poetry and paradox, and through the visions of such mystics as Bernard, Julian of Norwich, and Eckhart.

After the Revelation of Saint John the Divine, the most sublime and encompassing portrait of heaven to date has come not from a theologian but from a poet--Dante Alighieri in his Divine Comedy. Russell's history of heaven culminates in a lively analysis of how Dante described the glories of the indescribable. The unsurpassed images of light, movement, and community that Dante uses so skillfully to convey the presence of God are rooted in the Jewish picture of heaven as a garden or court and in the Greek picture of the Elysian Fields.

Using current scholarly insights together with a vast store of knowledge gathered from the past, Russell takes the idea of heaven as valid and important in itself--something to be understood from the point of view of those believing in it. His very use of language immerses us in the thoughts of those who have sought heaven and provides rich material for contemplation.