Dominic Broomfield-McHugh is Reader in Musicology at the University of Sheffield. His publications include Loverly: The Life and Times of My Fair Lady (2012), Alan Jay Lerner: A Lyricist's Letters (2014), The Complete Lyrics of Alan Jay Lerner (2018) and Adapting The Wizard of Oz: From Baum to MGM and Beyond (2018).

• Acknowledgements


• Contributors


• About the Companion Website


• Introduction


• 1. Loud, Pretty, Strong, White [Repeat]: The Jeanette MacDonald and Nelson Eddy Operettas at MGM (1935-1942)


• 2. 'Is this the right material, girl?': How Madonna Makes Us Like Eva, but Not Necessarily Evita


• 3. Brigadoon and its Transition to MGM Dance Musical: Adapting a Stage Show for Star Dancers


• 4. 'I'm Once Again the Previous Me': Performance and Stardom in the Barbra Streisand Stage-to-Screen Adaptations


• 5. Lost in Translation: Rodgers and Hammerstein's Carousel on the Silver Screen


• 6. Carol Burnett and the Ends of Variety: Parody, Nostalgia, and Analysis of the American Musical


• 7. Flamboyance, Exuberance, and Schmaltz: Half a Sixpence and the Broadway Adaptation in 1960s Hollywood


• 8. The Producers and Hairspray: The Hazards and Rewards of Recursive Adaptation


• 9. Rescoring Anything Goes in 1930s Hollywood


• Select Bibliography


• Index

The final of three volumes, Stars, Studios, and the Musical Theatre Screen Adaptation: An Oxford Handbook traces how stardom and technology has affected the evolution of the genre of the stage-to-screen musical. Many chapters examine specific screen adaptations in depth, with case studies on the screen versions of Broadway favorites Carousel and Brigadoon, while others deal with broad issues such as how music rights affected how studios approached screen adaptations. Together, the chapters incite lively debates about the process of adapting Broadway for the big screen and provide models for future studies.