Novelist, playwright, essayist, and master of the short story. Artist and engaged working-class intellectual; husband, father, and grandfather as well as committed revolutionary activist.

From his first publication (a short story collection An Old Pub Near the Angel on a tiny American press) through his latest novel (God's Teeth and other Phenomena) and work with Noam Chomsky (Between Thought and Expression Lies a Lifetime—both published on a slightly larger American press), All We Have Is the Story chronicles the life and work—to date—of “Probably the most influential novelist of the post-war period.” (The Times)

Drawing deeply on a radical tradition that is simultaneously political, philosophical, cultural, and literary, James Kelman articulates the complexities and tensions of the craft of writing; the narrative voice and grammar; imperialism and language; art and value; solidarity and empathy; class and nation state; and. above all, that it begins and ends with the story.

“One of the things the establishment always does is isolate voices of dissent and make them specific—unique if possible. It's easy to dispense with dissent if you can say there's him in prose and him in poetry. As soon as you say there's him, him, and her there, and that guy here and that woman over there, and there's all these other writers in Africa, and then you've got Ireland, the Caribean—suddenly there's this kind of mass dissent going on, and that becomes something dangerous, something that the establishment won't want people to relate to and go Christ, you're doing the same as me. Suddenly there's a movement going on. It's fine when it's all these disparate voices; you can contain that. The first thing to do with dissent is say ‘You're on your own, you're a phenomenon.’ I'm not a phenomenon at all: I'm just a part of what's been happening in prose for a long, long while.” —James Kelman from a 1993 interview

1. 1973 interview by Anne Stevenson
2. 1974 interview by Jack Haggerty
3. 1984–85 Two interviews by Duncan Maclean
4. 1989 interview by Kirsty McNeill
5. 1990–91 interview by The Shadow, Glasgow
6. 1993 interview by Kamal Kaddourah
7. 1996 interview by Suzanne Blunsome
8. 1999 interview by William Clark
9. 2002 interview by Francoise Palleau
10. 2002–03 interview by Michael Gardiner
11. 2002 interview by Writing on the Wall, Liverpool
12. 2002 interview by Fabio Vericat
13. 2003 interview by Andrej Skubic
14. 2006 interview by Alan Taylor
15. 2008 interview by Darren Anderson
16. 2008 interview by Jesse Wichterman
17. 2009 interview by Paul Shanks
18. 2009 interview by Roxy Harris
19. 2010 interview by Viola Fort
20. 2010 interview by Writing on the Wall, Liverpool (unpublished)
21. 2010 with Margaret Busby, Olive Senior and Maya Jaggi
22. 2012 interview by Rosemary Goring
23. 2013 interview by Publishers Weekly (NYC)
24. 2015 interview by Scott Hames (unpublished)
25. 2017 interview by Robin Lloyd-Jones
26. 2018 interview by Low Life magazine
27. 2018 interview by thi wurd magazine
28. 2019 Interview by Brian Hamill (unpublished)
29. 2022 Interview by Rastko Novaković

James Kelman was born in Glasgow,
June 1946, and left school in 1961. He began work in the printing trade
then moved around, working in various jobs in various places. He was
living in England when he started writing: ramblings, musings, sundry
phantasmagoria. He committed to it and kept at it. In 1969 he met and
married Marie Connors from South Wales. They settled in Glasgow and
still live in the dump, not far from their kids and grandkids. He still
plugs away at the ramblings, musings, politicking and so on, supported
by the same lady.