Rossella Ferrari is Reader in Chinese and Theatre Studies at SOAS University of London, UK. She is the author of Pop Goes the Avant-garde: Experimental Theatre 
in Contemporary China (Seagull Books/University of Chicago Press, 2012), the first English-language monograph to examine the development of Chinese avant-garde theatre since the Cultural Revolution, and Da Madre Coraggio e i suoi figli a 
Jiang Qing e i suoi mariti: Percorsi brechtiani in Cina (Cafoscarina, 2004), on the reception of Bertolt Brecht in China.

1. Chapter 1: Introduction: A Tale of Multiple Cities: Setting the Stage for Transnational Chinese Theatres.- 2. Chapter 2: Rhizomes, Radicants, and Journeys: Transnational Chinese Theatres as Networks of Intercultural Collaboration.- 3. Chapter 3: Hong Kong Transfers: Transmedial Travels in the Theatre of Relations.- 4. Chapter 4: Performing the 38th Parallel across the Taiwan Strait: Territorial Divides and Theatrical Dialogues in East Asia.- 5. Chapter 5: Trans-Asian Spectropoetics: Conjuring War and Violence on the Haunted Stage of History.- 6. Chapter 6: Epilogue: Out of Asia: Transnational Chinese Theatres' Global Itineraries.