Since the 1970s, the field of Translation Studies has entered into dialogue with an array of other disciplines, sustaining a close but contentious relationship with literary translation. This book expands this interdisciplinary dialogue by taking up questions of translation across sub-fields and within disciplines.

Contents
Acknowledgments
Introduction: At Translation’s Edge - Nataša ¿urovi¿ová and Patrice Petro
Part I Translation’s Disciplines
Chapter 1 The Eventfulness of Translation: Temporality, Difference, and Competing
Universals - Lydia H. Liu
Chapter 2 The Translation of Process - John Cayley
Chapter 3 Who’s It For: Towards a Rhetoric of Translation - Russell Scott Valentino
Part II Translation at the Limits of Nation-State
Chapter 4 Translation and Image: On the Schematism of Co-figuration - Naoki Sakai
Chapter 5 Bute Droma-Many Roads: Romani Resilience and Translation in Contact with the World - Deborah Folaron
Chapter 6 Ezhi-gikendamang Aanikanootamang Anishinaabemowin: Anishinaabe Translation Studies - Margaret A. Noodin
Chapter 7 “If you Could Only Understand My Language”: Counterfeit Script, Make-believe
Translation, and the Actor-Spectator Complicity in The Toll of the Sea (1922), Mr. Wu
(1927) and Hollywood Party (1937) - Yiman Wang
Part III Translation’s Practices & Politics
Chapter 8 Perspectives on the History of Translation in Latin America - Martha Pulido (Lorena Terando, Trans.)
Chapter 9 From Interpreting to Colloquial Translations: Tools Indispensible to Literary
Creation - Olga Behar (Lorena Terando, Trans.)
Chapter 10 Language, Policy, and Dis/ability in Senegal, West Africa - Elizabeth R. Drame
Chapter 11 The Translator in the Text - Suzanne Jill Levine
Notes on Contributors
Index

NATAŠA ¿UROVI¿OVÁ is the house editor of the International Writing Program at the University of Iowa in Iowa City, where she publishes 91st Meridian, the program’s online journal, and its book series. She is also co-editor of World Cinemas, Transnational Perspectives.

PATRICE PETRO is a professor of film and media studies at the University of California, Santa Barbara, where she also serves as the Dick Wolf Director of the Carsey-Wolf Center and presidential chair in media studies. She is the author, editor, and co-editor of twelve books, including After Capitalism: Horizons of Finance, Culture, and Citizenship (Rutgers University Press).

LORENA TERANDO is an associate professor of translation and interpreting studies at the University of Wisconsin-Milwaukee. She is the translator of Elvira Sánchez Blake’s Spiral of Silence (Espiral de silencios).