A beautifully illustrated tale of traditional crafts and communal power.
Rachelle is a young girl living in Fès, Morocco in 1920. Surrounded by a warm community of friends, family, and craftspeople—both Jewish and Muslim—Rachelle spends her days playing with other young girls in her neighborhood, trying on her grandmother's amulets, playing jokes on a nosy photographer, and watching her parents as they spin delicate threads made of gold at their jewelry workshop each day. Life in Rachelle's neighborhood, the mellah, is busy, nourishing, and filled with magic. But rumors of a machine (or is it a monster?) coming from across the sea threaten to change the mellah and the lives of its craftspeople forever. Banding together with her grandmother, her parents, and the other jewelry makers, Rachelle and four of her friends work together to put a stop to the machine's arrival—but only time will tell if they can save the vibrant world of the mellah and its beautiful golden threads for good.Hagar Ophir is a multidisciplinary artist trained as a historian, stage designer, and dancer. Her work establishes history as a space to reimagine and actualize alternative possible presents, moving beyond divisions instituted between tenses, nation-states, and ideologies. Ophir often works collaboratively to create knowledge through art and education projects. Her recent projects have appeared in Berlin in two solo exhibitions, Bound with the Living The Archive Room (Diffrakt, 2024) and Recalling History Bundled with the Living (Soma Art, 2023), and in the work Letter of Demand (LABA fellow exhibition, 2023). In 2020, in collaboration with five artists and teachers, Ophir founded mitkollektiv, an intersectional arts education collective, and the art education project Reimagine Jetzt! She co-leads workshops at HKS and Bard College Berlin, and her work has been published in Revista de História da Arte, the Jerusalem Quarterly, and elsewhere. Ophir lives in Berlin.