Serious scholarship on the music of Ralph Vaughan Williams is currently enjoying a lively revival after a period of relative quiescence, and is only beginning to address the enduring affection of concert audiences for his music. The essays that comprise this volume extend the study of Vaughan Williams' music in new directions that will be of interest to scholars, performers and listeners alike. This volume contains the work of eleven North American scholars who have been recipients of the Ralph Vaughan Williams Fellowship based at the composer's own school, Charterhouse, which was created and has been supported by the Carthusian Trust since 1985. This wide-ranging and detailed collection of essays covers the spectrum of genres in which Vaughan Williams wrote, including dance, symphony, opera, song, hymnody and film music. The contributors also employ a range of analytical and historical methods of investigation to illuminate aspects of Vaughan Williams' compositional techniques and influences, musical, literary and visual.

Byron Adams was the first scholar to be awarded the Ralph Vaughan Williams Fellowship when it was instituted in 1985. He has published widely on the subject of twentieth-century English music, including articles and reviews in 19th Century Music, Music and Letters, MLA Notes, Current Musicology, and The Musical Quarterly as well as in Vaughan Williams Studies (CUP, 1996). He is presently Professor of Composition and Musicology at the University of California, Riverside. Robin Wells joined the music department at Charterhouse in 1965 and became Director of Music at the school in 1987. A teacher, organist, conductor, examiner and composer, Wells has a particular interest in the music of Herbert Howells and in 1986 was invited by Novello and Co. to edit the composer's posthumous organ works. In 2000, he organized "RVW 2000", a week-long symposium at Charterhouse on Vaughan Williams's music.

Contents: List of Vaughan Williams Fellows, 1985-2002; Introduction, Byron Adams; The stages of revision of Vaughan Williams' 6th Symphony, Byron Adams; Vaughan Williams' 5th Symphony: ideology and aural tradition, Murray Dineen; A deconstruction of William Blake's Vision: Vaughan Williams and Job, Alison Sanders McFarland; Vaughan Williams and the 'night side of nature': octatonicism in Riders to the Sea, Walter Aaron Clark; 'Full of fresh thoughts': Vaughan Williams, Whitman and the genesis of A Sea Symphony, Stephen Town; Hymn tunes from folk songs: Vaughan Williams and English hymnody, Julian Onderdonk; Robert Louis Stevenson, Ralph Vaughan Williams and their Songs of travel, Rufus Hallmark; A critical appraisal of the Four Last Songs, Renée Chérie Clark; 'Words and music that are forever England': The Pilgrim's Progress and the pitfalls of nostalgia, Nathaniel G. Lew; Music, film and Vaughan Williams, Daniel Goldmark; Vaughan Williams and the English Music Festival: 1910, Charles Edward McGuire; Index.