Essays studying the relationship between literariness and form in medieval texts.

Robert J. Meyer-Lee, Catherine Sanok

Introduction: The Literary through - or beyond? - Form - Catherine Sanok and Robert J Meyer-Lee
What's the Use? Marian Miracles and the Workings of the Literary - Claire M. Waters
Form's Practice: Lyrics, Grammars, and the Medieval Idea of the Literary - Ingrid Nelson
Forms of the Hours in Late Medieval England - Jessica Brantley
Rhymed Alliterative Verse in Mise en page Transition: Two Case Studies in English Poetic Hybridity - Andrew Klein
Rhymed Alliterative Verse in Mise en page Transition: Two Case Studies in English Poetic Hybridity - Kathryn Kerby-Fulton
Idiot Psalms: Sound, Style, and the Performance of the Literary in the Towneley Shepherds' Plays - Shannon Gayk
Inaudible Music - Sarah Elliott Novacich
Translating Form with Patience - Anke Bernau
Terpsichorean Form: Geoffrey Chaucer's Franklin's Tale and Robert Smithson's Spiral Jetty - Seeta Chaganti
Illusion and Aspect in the Construction of the Face: Chaucerian Individuals, Chaucerian Types - Maura Nolan
Collecting, Violence, Literature: Richard of Bury's Philobiblon and the Forms of Literary History - Emily Steiner