Barry Keith Grant is Professor of Film Studies and Popular Culture at Brock University, Canada. He is author of Film Genre (2007) and Voyages of Discovery (1992) and co-author of The Film Studies Dictionary (2001) and 100 Documentary Films (2009).

Acknowledgments.- Introduction.- A Propos de Nice, Jean Vigo, France 1930.- The Act of Seeing with One's Own Eyes, Stan Brakhage, US 1971.- The Atomic Café, Jane Loader.- Kevin Rafferty, US 1982.- The Battle of Chile.- La Batalla de Chile, Patricio Guzman, Venezuela-France-Cuba 1975-1979).- Berlin: Symphony of a Great City.- Berlin: Die Sinfonie der Großstadt, Walter Ruttmann, Germany 1927.- Bowling for Columbine, Michael Moore, US 2002.- A British Picture: Portrait of an Enfant Terrible (Ken Russell, UK 1989).- British Sounds, Jean-Luc Godard.- Jean-Henri Roger, UK 1969.- Bus 174, José Padilha, Brazil 2002.- Cane Toads: An Unnatural History, Mark Lewis, Australia 1988.- Le Chagrin et la pitié.- The Sorrow and the Pity, Marcel Ophüls, Fr-Switz-W Ger, 1968.- Chronique d'un été.- Chronicle of a Summer, Jean Rouch.- Edgar Morin, France 1961.- Close Up, Abbas Kiarostami, Iran, 1990.- Coal Face, Alberto Cavalcanti, UK 1935.- Crisis: Behind a Presidential Commitment, Robert Drew, US 1963.- Daughter Rite, Michelle Citron, US 1979.- David Holzman's Diary, Jim McBride, US 1967.- Dead Birds, Robert Gardner, US 1965.- A Diary for Timothy, Humphrey Jennings, UK 1945.- Dont Look Back, D.A. Pennebaker, US 1967.- The Emperor's Naked Army Marches On, Hara Kazuo, Japan 1987.- Être et avoir, Nicolas Philibert, France 2002.- The Fall of the Romanov Dynasty, Esfir Shub, USSR 1927.- Farrebique, ou les quatres saisons, Georges Rouquier, France 1946.- Fast, Cheap and Out of Control, Errol Morris, US 1997.- For Freedom, Hossein Torabi, Iran 1979.- Forgotten Silver, Peter Jackson, NZ 1995.- Les Glâneurs et la glâneuse.- The Gleaners and I, Agnès Varda, France 2000.- Grey Gardens, Albert& David Maysles.- Ellen Hovde.- Muffie Meyer, US 1975.- Grizzly Man, Werner Herzog, US 2005.- Handsworth Songs, John Akomfrah, 1986.- Happy Mother's Day, Richard Leacock.- Joyce Chopra, US 1963.- Harlan County USA, Barbara Kopple, US 1976.- Harvest of Shame, David Lowe, US 1960.- Heidi Fleiss: Hollywood Madam, Nick Broomfield, UK 1995.- Hoop Dreams, Steve James, US 1994.- Hour of the Furnaces.- La Hora de los hornos, Octavio Getino.- Fernando E. Solanas, Argentina 1968.- Housing Problems, Edgar Anstey.- Arthur Elton, UK 1935.- Las Hurdes.- Land Without Bread, Luis Buñuel, Spain 1933.- I for India, Sandhya Suri, UK-Germany 2005.- In the Year of the Pig, Emile De Antonio, US 1968.- Jazz, Ken Burns, US 2001.- Kon Tiki, Thor Heyerdahl, Norway 1950.- Koyaanisqatsi: Life Out of Balance, Godfrey Reggio, US 1982.- Lessons in Darkness.- Lektionen in Finisternis, Werner Herzog, Ger-France-UK 1992.- Let There Be Light, John Huston, US 1946.- The Life and Times of Rosie the Riveter, Connie Field, US 1980.- Lonely Boy, Wolf Koenig.- Roman Kroiter, Canada 1962.- Lost Lost Lost, Jonas Mekas, US 1976.- Lumière programme, Auguste& Louis Lumière, France 1895.- Les Maitres Fous.- The Mad Masters, Jean Rouch, France 1955.- Manhatta, Charles Sheeler.- Paul Strand, US 1921.- The Man with a Movie Camera, Dziga Vertov, USSR 1929.- Man of Aran, Robert Flaherty, UK 1934.- March of the Penguins.- La Marche de l'empereur, Luc Jacquet, France 2005.- A Married Couple, Allan King, Canada 1969.- Minamata, Tsuchimoto Noriaki, Japan 1971.- My Winnipeg, Guy Maddin, Canada 2007.- Nanook of the North, Robert Flaherty, US 1922.- Native Land, Leo Hurwitz.- Paul Strand, US 1942.- Necrology, Standish Lawder, US 1971.- New Earth.- Nieuwe gronden, Joris Ivens, Netherlands 1934.- News from Home, Chantal Akerman, France-Belgium-West Germany 1976.- North Sea, Harry Watt, UK 1938.- Nuit et brouillard.- Night and Fog, Alain Resnais, France 1955.- Not a Love Story: A Film about Pornography, Bonnie Sherr Klein, Canada 1981.- One Man's War.- La Guerre d'un seul homme, Edgardo Cozarinsky, France, 1982.- Paris is Burning, Jennie Livingston, US 1990.- People on Sunday.- Menschen am Sonntag, Robe.