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There's Always This Year
On Basketball and Ascension
von Hanif Abdurraqib
Verlag: Penguin Books Ltd (UK)
Taschenbuch
ISBN: 978-1-80206-582-4
Erscheint im März 2025
Sprache: Englisch
Format: 198 mm [H] x 129 mm [B] x 15 mm [T]
Gewicht: 500 Gramm
Umfang: 352 Seiten

Preis: 14,50 €
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Biografische Anmerkung
Klappentext

Hanif Abdurraqib is a poet, essayist, and cultural critic from Columbus, Ohio. His first full length poetry collection, The Crown Ain't Worth Much, was named a finalist for the Eric Hoffer Book Prize, and was nominated for a Hurston-Wright Legacy Award. His first collection of essays, They Can't Kill Us Until They Kill Us, was named a book of the year by BuzzFeed, Esquire, NPR, O: The Oprah Magazine, Paste, CBC, The Los Angeles Review, Pitchfork, and Chicago Tribune, among others. His most recent book, A Little Devil In America, was the winner of the 2021 Gordon Burn Prize and the 2022 Andrew Carnegie Medal for Excellence in Nonfiction.



NEW YORK TIMES BESTSELLER | ONE OF THE MOST ANTICIPATED BOOKS OF 2024 ACCORDING TO TIME, NPR, Chicago Review of Books, Lit Hub, Medium, The Millions, Book Riot, and more

LONG-LISTED FOR THE 2025 ANDREW CARNEGIE MEDAL FOR EXCELLENCE IN NONFICTION


It might do all of us some good to reconsider what 'making it' even means.

Growing up in Columbus, Ohio, in the 1990s, Hanif Abdurraqib witnessed a golden era of basketball, one in which legends like LeBron James were forged -- and countless others weren't. His lifelong love of the game leads Abdurraqib into a lyrical, historical, and emotionally rich exploration of what it means to make it, who we think deserves success, the tension between excellence and expectation, and the very notion of role models, all of which he expertly weaves together with intimate, personal storytelling.
There's Always This Year is a triumph from one of America's most celebrated and insightful writers. It brims with joy, pain, solidarity, comfort, outrage, and hope. No matter the subject, Abdurraqib's exquisite writing is always poetry, always profound, and always a clarion call to radically reimagine how we think about our culture, and ourselves.


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