In Writing Belonging at the Millennium, Emily Potter critically considers the long-standing settler-colonial pursuit of belonging manifested through an obsession with firm and stable ground. This pursuit continues across the field of the postcolonial nation today; the recognition of colonization's destructive impacts on humans and environments troublingly generates a renewed desire to secure non-indigenous belonging. Focusing on the crucial role that Australia's contemporary literature plays in shaping ideas of place and its inhabitation, Potter tracks non-indigenous belonging claims through a range of fiction and non-fiction texts to examine how settler-colonial anxieties about belonging intersect with intensifying environmental challenges. Significantly, she proposes that new understandings of unsettled and uncertain non-indigenous belonging may actually be fruitful context for decolonizing relations with place - something that is imperative in a time of heightened global environmental crisis.

Introduction

Chapter One: Anxious Belonging

Chapter Two: Literary Expectations: Grounding Belonging

Chapter Three: Getting Lost with Nikki Gemmell

Chapter Four: Redeeming Environments

Chapter Five: Desiccated and Infective: Writing in Thea Astley's Drylands

Chapter Six: The Past is All Around: Chloe Hooper's A Child's Book of True Crime

Chapter Seven: Toxic Imaginaries: Undoing Origins and Endings

Afterword

Emily Potter is an associate professor in writing and literature in the School of Communication and Creative Arts, Deakin University.