In this volume, following the "cembalo concertato" technique, the organist's library is enriched with a beautiful page by Franz Joseph Haydn (1732-1809): the Concerto in D Hob. XVIII n °11 (originally composed for keyboard and orchestra).
The technique used for this transcription is moreover contemporary with the Austrian composer, and frequently used by composers from the German area, notably by Carl Philipp Emmanuel Bach. It consist on adding to the keyboard part the important details of the orchestral score. In this way the piece can be performed by the keyboard player alone.
The score was created with a medium-sized instrument in mind. There are no suggestions for the registration but the only subdivision, according to the practice of the period, to indicate the points corresponding to the Tutti and Solo.
EMF COLLECTION 040

Transcriptions are essentially a way to teach and to introduce people to the great symphonic and opera music. It is also an ancient musical practice which consist of modelling on one's own instrument a music page which was intended for another one (or, more often, other ones), in order to create thus the impression that the page was written since the very beginning for that instrument.
This Transcriptions Collection was born from my desire to extend to a greater audience those compositions which, even though they are well known, are seldom presented during live performances. Together with this, it is a music project deploying within the tradition of the great transcriptions by Edwin Lemare and David Briggs.
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