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African Art as Philosophy
Senghor, Bergson, and the Idea of Negritude
von Souleymane Bachir Diagne
Übersetzung: Chike Jeffers
Verlag: Other Press (NY)
Taschenbuch
ISBN: 978-1-63542-321-1
Erschienen am 05.09.2023
Sprache: Englisch
Format: 203 mm [H] x 136 mm [B] x 17 mm [T]
Gewicht: 234 Gramm
Umfang: 208 Seiten

Preis: 17,50 €
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Biografische Anmerkung
Klappentext

Souleymane Bachir Diagne is Professor of Philosophy and Francophone Studies and Director of the Institute of African Studies at Columbia University. His books include The Ink of the Scholars: Reflections on Philosophy in Africa, Open to Reason: Muslim Philosophers in Conversation with the Western Tradition, and Postcolonial Bergson.
Chike Jeffers is Associate Professor in the Department of Philosophy at Dalhousie University. He is coauthor of What is Race? Four Philosophical Views and translator of Aimé Césaire’s Letter to Maurice Thorez.



"A distinct, incisive look at an important figure in African literature and politics that will be welcomed by scholars in African studies and philosophy. Lâeopold Sâedar Senghor (1906-2001) was a Senegalese poet and philosopher who in 1960 also became the first president of the Republic of Senegal. In African Art as Philosophy, Souleymane Bachir Diagne takes a unique approach to reading Senghor's influential works, taking as the starting point for his analysis Henri Bergson's idea that in order to understand philosophers one must find the initial intuition from which every aspect of their work develops. In the case of Senghor, Diagne argues that his primordial intuition is that African art is a philosophy. To further this point, Diagne looks at what Senghor called the "1889 Revolution," and the influential writers and publications of that time-specifically, Nietzsche and Rimbaud, as well as Bergson's Essay on the Immediate Data of Consciousness. The 1889 Revolution, Senghor claims, is what led him to the understanding of the "Vitalism" at the core of African religions and beliefs that found expression in the arts"--


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