Family tree of Catherine Baudoche and Catherine Gronnaix
Introduction
1 Acting as Catherine: writing the history of female performers
2 'I, Catherine': biography, documentary culture, and public presence
3 Performance and the parish: space, memory, and material devotion
4 Negotiated devotions and performed histories: laywomen in monastic spaces
5 'Call me Claude': female actors, impersonation, and cultural transmission
Conclusion
Bibliography
Index