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29.11.2024 um 19:30 Uhr
Art Is Not What You Think It Is
von Donald Preziosi, Claire Farago
Verlag: Wiley
Reihe: Wiley-Blackwell Manifestos Nr. 61
Gebundene Ausgabe
ISBN: 978-1-4051-9240-8
Erschienen am 13.02.2012
Sprache: Englisch
Format: 231 mm [H] x 155 mm [B] x 15 mm [T]
Gewicht: 454 Gramm
Umfang: 192 Seiten

Preis: 84,00 €
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Biografische Anmerkung
Klappentext
Inhaltsverzeichnis

Donald Preziosi is Emeritus Professor of Art History and Critical Theory at UCLA, and Former Slade Professor of Fine Art at Oxford. He trained in art history, classics, and linguistics at Harvard, and is the author and co-author of many books including The Art of Art History: A Critical Anthology (2009).

Claire Farago is Professor of Renaissance Art Theory and Criticism at the University of Colorado at Boulder. She is author and co-author of many books on art theory, historiography, and museums, and is an authority on the manuscripts of Leonardo da Vinci. Her numerous publications include Re-Reading Leonardo: The Treatise on Painting across Europe 1550-1900 (2009).
Donald Preziosi and Claire Farago have previously collaborated as co-editors of Grasping the World: The Idea of the Museum (2004).



Art Is Not What You Think It Is utilizes original research to present a series of critical incursions into the current state of debate on the idea of art, making manifest what has been largely missing or unsaid in those discussions.
* Links museology, history, theory, and criticism to the realities of contemporary social conditions and shows how they have structurally functioned in a variety of contexts
* Deals with divisive and controversial problems such as blasphemy and idolatry, and the problem of artistic truth
* Addresses relations between European notions about art and artifice and those developed in other and especially indigenous cultural traditions



List of Figures
Preface: Art Is Not What You Think It Is
Acknowledgments
Introduction: Art and/as Manifesto
First Incursion: Artistry and Authorship
Second Incursion: The Dangers of Art and the Trap of the Visual
Third Incursion: To See the Frame that Blinds Us
Fourth Incursion: Deconstructing the Agencies of Art
Fifth Incursion: Intersections of the Local and the Global
Sixth Incursion: Into the Breach of Art and Religion
Seventh Incursion: The Art of Commodifying Artistry
Index


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