Bücher Wenner
Denis Scheck stellt seine "BESTSELLERBIBEL" in St. Marien vor
25.11.2024 um 19:30 Uhr
Desire in the Renaissance
Psychoanalysis and Literature
von Valeria Finucci
Verlag: Princeton University Press
E-Book / EPUB
Kopierschutz: Adobe DRM


Speicherplatz: 0 MB
Hinweis: Nach dem Checkout (Kasse) wird direkt ein Link zum Download bereitgestellt. Der Link kann dann auf PC, Smartphone oder E-Book-Reader ausgeführt werden.
E-Books können per PayPal bezahlt werden. Wenn Sie E-Books per Rechnung bezahlen möchten, kontaktieren Sie uns bitte.

ISBN: 978-1-4008-2150-1
Erschienen am 17.10.1994
Sprache: Englisch
Umfang: 272 Seiten

Preis: 63,49 €

63,49 €
merken
Inhaltsverzeichnis
Klappentext
Biografische Anmerkung

Introduction: Worlds Within and Without 3
The Insincerity of Women 19
Mistaken Identities: Castiglio(ne)'s Practical Joke 39
The Female Masquerade: Ariosto and the Game of Desire 61
Actaeon at the Hinder Gate: The Stag Party in Spenser's Gardens of Adonis 91
Embodied Voices: Petrarch Reading (Himself Reading) Ovid 120
Through the Optic Glass: Voyeurism and Paradise Lost 146
Libidinal Economies: Machiavelli and Fortune's Rape 169
Female Friends and Fraternal Enemies in As You Like It 184
From Virgil to Tasso: The Epic Topos as an Uncanny Return 207
Writing the Specular Son: Jonson, Freud, Lacan, and the (K)not of Masculinity 233
List of Contributors 261
Index 263



Drawing on a variety of psychoanalytic approaches, ten critics engage in exciting discussions of the ways the "inner life" is depicted in the Renaissance and the ways it is shown to interact with the "external" social and economic spheres. Spurred by the rise of capitalism and the nuclear family, Renaissance anxieties over changes in identity emerged in the period's unconscious--or, as Freud would have it, in its literature. Hence, much of Renaissance literature represents themes that have been prominent in the discourse of psychoanalysis: mistaken identity, incest, voyeurism, mourning, and the uncanny. The essays in this volume range from Spenser and Milton to Machiavelli and Ariosto, and focus on the fluidity of gender, the economics of sexual and sibling rivalry, the power of the visual, and the cultural echoes of the uncanny. The discussion of each topic highlights language as the medium of desire, transgression, or oppression.
The section "Faking It: Sex, Class, and Gender Mobility" contains essays by Marjorie Garber (Middleton), Natasha Korda (Castiglione), and Valeria Finucci (Ariosto). The contributors to "Ogling: The Circulation of Power" include Harry Berger (Spenser), Lynn Enterline (Petrarch), and Regina Schwartz (Milton). "Loving and Loathing: The Economics of Subjection" includes Juliana Schiesari (Machia-velli) and William Kerrigan (Shakespeare). "Dreaming On: Uncanny Encounters" contains essays by Elizabeth J. Bellamy (Tasso) and David Lee Miller (Jonson).



Valeria Finucci is Professor of Romance Studies and Regina Schwartz is Professor of English, both at Duke University.