This book is an examination of the music of the Balinese gendér wayang, the quartet of metallophones - gendér - that accompanies the Balinese shadow puppet play - wayang kulit. The book focuses on processes of musical variation, the main means of creating new music in this genre, and the implications of these processes for the social and historical study of Balinese music, musical aesthetics, concepts of creativity and compositional methods.

Dr Nick Gray specialises in the music of South East Asia, particularly popular and fusion music.

Contents: Preface; Part I Concepts: Introduction; The music of gendér wayang. Part II Explorations: Compositional structures and techniques; What players say; What players play (part 1); What players play (part 2). Part III Reflections: No tree is untouched by the wind; Conclusions and new directions; Appendices; Bibliography; Appendices; Index.