A Student Edition of Lucy Prebble's acclaimed 2012 play, which looks at two people on a clinical drugs trial and investigates questions around sanity, neurology, physical attraction and the possibilities of medicine.
The edition includes commentary and notes by Paulette Marty, which look at the context around depression and anti-depressant medication; as well as delving into major questions posed by the play, such as "is love real?" and "what is chemistry when applied to human beings?".
Her commentary also looks at the play in production, the implications of the playwright having written the roles for particular actors, and the opportunities that arise from the playwright encouraging future actors to "mould the text around themselves".

Lucy Prebble lives in London. Her smash-hit play, Enron, transferred to the West End and Broadway in 2010 after sell out runs at both the Royal Court and Chichester Festival Theatre. In addition to the huge critical acclaim it has received, Enron also won the award for best New Play at the prestigious TMA Theatre Awards, and was shortlisted for the Evening Standard Award 2009. Lucy created the TV series Secret Diary of a Call Girl, starring Billie Piper, which enjoyed three series and was sold to Showtime, the major US channel famed for its daring dramas. Lucy won the prestigious George Devine Award 2004 for her outstanding debut play The Sugar Syndrome in May 2004, followed by the TMA Award for Best New Play in October 2004. She also won the 2004 Critics' Circle Award for Most Promising Playwright. Lucy was also nominated for the Most Promising Newcomer Award at the Olivier Awards 2004, shortlisted for the Susan Smith Blackburn Award 2003 and nominated for the prestigious Evening Standard Charles Wintour Most Promising Playwright Award 2003.

CHRONOLOGY
COMMENTARY
Context
Depression and Dopamine
Anti-depressant Medications
Drug Trials
Other Plays by Lucy Prebble
Themes
Is This Love Real?
Can We Trust Our Feelings?
Other Artists
Chemistry
Religious vs Materialist Views
Laboratory vs Real World
In Production
Casting & the Implications of Writing for Particular Actors
Critical Response
PLAY TEXT
NOTES