Over a dozen new volumes of T. S. Eliot's poetry, prose, and letters have been published in the past decade. This collection presents unabashedly fresh approaches to Eliot, while simultaneously guiding readers through the new materials that are available for the first time outside of restricted archives. Eliot, the figurehead of literary modernism, continues to be someone whom critics love to hate (Misogynist! Reactionary! Anti-Semite!) and readers love to devour (Profound! Revolutionary! Resonant!). Why does one artist elicit such different responses?

Eliot Now collects new and established voices in Eliot studies, integrating contemporary critical approaches with careful attention to the newly published materials. Whether grappling with the controversial new two-volume Poems, narrating the experience of opening Eliot's letters in the Emily Hale papers (until 2020 the "most famous sealed archive in the world"), or rereading his works through ecocritical or trans studies lenses, Eliot Now shows how this most effusively celebrated and heatedly criticized 20th-century writer continues to change the way we read literature in the 21st century. The collection concludes with six award-winning contemporary poets considering the influence of The
Waste Land on poetry today.

Megan Quigley is the author of Modernist Fiction and Vagueness: Philosophy, Form, and Language (2015) and the editor of two clusters of essays on #MeToo, T. S. Eliot, and Modernism in Modernism/modernity Print+ (2019, 2020). She has published essays in the James Joyce Quarterly, Modernism/modernity, Philosophy and Literature, Poetics Today, LARB, the T. S. Eliot Studies Annual, and nonsite. She is an Associate Professor of English at Villanova University.
David E. Chinitz, Professor of English at Loyola University Chicago, is the author of T. S. Eliot and the Cultural Divide (2003) and Which Sin To Bear? Authenticity and Compromise in Langston Hughes(2013). His Complete Prose of T. S. Eliot, Volume 6: The War Years, 1940-1946 (co-edited with Ronald Schuchard) won the 2019 MLA Prize for a Scholarly Edition. He has served as president of the Modernist Studies Association and the International T. S. Eliot Society.

I. New Eliot
1. Introduction (Megan Quigley & David E. Chinitz)
2. The New Poems of T. S. Eliot, Mark Ford
3. The Complete Prose, Anthony Cuda
4. Eliot's Divided Life, Frances Dickey
5. Eliot as Public Intellectual, Jeremy Noel-Tod

II. Eliot in Theory
6. "No empty bottles": Eliot's Ambivalent Anthropocene, Julia Daniel
7. Eliot and Translation Theory, Vera Kutzinski
8. Whiteness and Religious Conversion in Four Quartets, Ann Marie Jakubowski
9. Tiresias and TERFism Today: The Waste Land's Modernist Feminine, Cis and Trans, Emma Heaney
10. Eliot in the Dadabase, Elyse Graham & Michelle Taylor
11. Of Corpses, Corpuses, and Career Capital: Eliot and Print Culture, Michael Whitworth
12. The Always Inconvenient Dead: Lyric Theory and Eliot's Early Verse, Paul Franz
13. Eliot's Political Theology, C. D. Blanton
14. The Perfect Post-Critic?, Sumita Chakraborty

III. Looking Ahead
15. The Future of Tradition? Eliot and the Condition of the Humanities, Simon During
16. Eliot, Brexit, and the Idea of Europe, Jason Harding
17. Mature Fans Steal: Eliot's Fictions, Megan Quigley
18. Afterword: Strange God: Eliot, Now, Urmila Seshagiri
19. The Waste Land Centenary: Poets on Eliot, James Longenbach, Carl Phillips, Lesley Wheeler, Craig Raine, Hannah Sullivan, Allison Rollins