List of Illustrations
General Editor's Preface, Joanne M. Ferraro (San Diego State University, USA)
Introduction, Frederik Pederson (University of Aberdeen, UK)
1. Courtship and Ritual, Edith J. Benkov (San Diego State University, USA)
2. Religion, Line Cecilie Engh (University of Oslo, Norway)
3. State and Law, Thomas Kuehn (Clemson University, USA)
4. The Ties That Bind, Sally Dixon-Smith (Tower of London for Historic Royal Palaces, UK) and April Harper (SUNY Oneonta, USA)
5. The Family Economy, Frederik Pederson (University of Aberdeen, UK)
6. Love, Sex, and Sexuality, Ruth Mazzo Karras (Trinity College, Dublin, Ireland)
7. Breaking Vows, Sara M. Butler (Ohio State University, USA)
8. Representation, Harriet M. Sonne de Torrens (University of Toronto Mississauga, Canada)
Notes
Bibliography
Contributors
Index

Joanne M. Ferraro is Albert W. Johnson Distinguished Professor of History Emerita at San Diego State University, USA. She is the author of Marriage Wars in Late Renaissance Venice (2001), which won both the Helen and Howard R. Marraro Book Prize from the Society for Italian Historical Studies and the Society for the Study of Early Modern Women Book Prize. She is also the author of Venice: History of the Floating City (2012), Nefarious Crimes, Contested Justice: Illicit Sex and Infanticide in the Republic of Venice, 1557- 1789 (2008) and Family and Public Life in Brescia, 1580-1650 (1993).

Marriage in Europe became a central pillar of society during the medieval period. Theologians, lawyers, and secular and church leaders agreed on a unique outline of the institution and its legal framework, the essential features of which remained in force until the 1980s. The medieval Western European definition of marriage was unique: before the legal consequences of marriage came into being, the parties had to promise to engage in sexual union only with one partner and to remain in the marriage until one of the parties died. This requirement had profound implications for inheritance rules and for the organization of the family economy; it was explained and justified in a multitude of theological discussions and legal decisions across all faiths on the European continent. Normative texts, built on the foundations of the scriptures of several religious traditions, provided an impressive intellectual framework around marriage. In addition, developments in iconography, including sculpture and painting, projected the dominant model of marriage, while social, demographic and cultural changes encouraged its adoption.
This volume traces the medieval discussion of marriage in practice, law, theology and iconography. It provides an examination of the wider political and economic context of marriage and offers an overview of the ebb and flow of society's ideas about how expressions of human sexuality fit within the confines of a clearly defined social structure and ideology.
A Cultural History of Marriage in the Medieval Age presents an overview of the period with essays on Courtship and Ritual; Religion, State and Law; Kinship and Social Networks; the Family Economy; Love and Sex; the Breaking of Vows; and Representations of Marriage.