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Becoming a Writer
von Dorothea Brande
Verlag: Lulu.com
Hardcover
ISBN: 978-1-329-92672-1
Erschienen am 25.02.2016
Sprache: Englisch
Format: 229 mm [H] x 152 mm [B] x 6 mm [T]
Gewicht: 156 Gramm
Umfang: 98 Seiten

Preis: 15,40 €
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Biografische Anmerkung
Klappentext

American author, lecturer and magazine editor, Dorothea Brande, was the youngest of five children born to Frederick S. and Alice P. Thompson of Chicago, Illinois. Alice Dorothea Alden Thompson was born in Englewood, a Chicago community, on 12 January, 1892. Both of her parents were originally from Maine and had previously lived in Delaware where her three oldest siblings were born. Her father was employed as a manager at local business in the Chicago area. Brande attended the Universities of Michigan and Chicago, earning her Phi Beta Kappa key at the former. She went on to work as a newspaper reporter in Chicago and later as circulation manager for American Mercury magazine during the time of H.L. Mencken and George Jean Nathan. In the 1930s she became an associate editor of Bookman magazine and later its successor (1934), the American Review. In the years to come Brande would also operate a nationwide correspondence school for aspiring writers and tour on the lecture circuit. In 1916 she married fellow Chicago newspaper reporter Herbert Brande. Herbert would later gain some notoriety as an editorial writer. Their marriage ended in divorce sometime before 1930. In 1936 she married Seward B. Collins (1899-1952), who at the time was American Review's editor. Her inspirational book, 'Wake Up and Live' (1936) was written during the Great Depression and was a best seller and her most successful book. She was also the author of 'Becoming a Writer' (1934), 'Most Beautiful Lady' (1935), 'Letters to Philippa' (1937), 'My Invincible Aunt' (1938) and others.



How to Quickly Learn the Magic of Writing Success

For most of my adult life I have been engaged in the writing, the editing, or the criticizing of fiction.

I took, and I still take, the writing of fiction seriously.

So I make no apology for writing seriously about the problems of fiction writers. I have had firsthand experience with almost every current "approach" to the problems of writing.

The difficulties of the average student or amateur writer begin long before he has come to the place where he can benefit by technical instruction in story writing.

He had longed to hear that there was some magic about writing, and to be initiated into the brotherhood of authors.

This book, I believe, will be unique; for I think he is right. I think there is such a magic, and that it is teachable. This book is all about the writer's magic.

(From the Introduction.)

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