Foreword by Simon Ortiz
Acknowledgements
Introduction: Cosmovisions, Ecocriticism and Indigenous Studies
Joni Adamson and Salma Monani
Part I: Resilience
Chapter One: Negotiating the Ontological Gap: Place, Performance, and Media Art Practices in Aotearoa/New Zealand
Janine Randerson and Amanda Yates
Chapter Two: Science Fiction, Westerns, and the Vital Cosmo-ethics of The 6th World
Salma Monani
Chapter Three: Long Environmentalism: After the Listening Session
Subhankar Banerjee
Chaoter Four: Grounded in Spiritual Geography: Restoring Naabaahi in Enemy Slayer, a Navajo Oratorio
Laura Tohe
Part II: Resistance
Chapter Five: Dancing at the End of the World: The Poetics of the Body in Indigenous Protest
Janet Fiskio
Chapter Six: New Media, Activism, and Indigenous Environmental Governance: Politics and the Minnesota-Wisconsin Wolf Hunt
Clint Carroll and Angelica Lawson
Chapter Seven: Cyclical Conceptualizations of Time: Ecocritical Perspectives on Sami Film Culture
Pietari Kääpä
Chapter Eight: Resistance and Hope in Mohawk Cinema: Iroquois Cosmologies and Histories
Shelley Niro and Salma Monani
Part III: Multi-Species Relations
Chapter Nine: A "Network of Networks": Multispecies Stories and Cosmopolitical Activism in Solar Storms and People of the Feather
Yalan Chang
Chapter Ten: Tinai-Documentation as Ecocultural Ethnography: My Experience with Mudugar
Rayson Alex
Chapter Eleven: The Tangibility of Maize: Indigenous Literature, Bioart, and Violence in Mexico
Abigail Perez Aguilera
Chapter Twelve: Why Bears, Yakumama (Mother Water), and other Transformational Beings are (Still) Good to Think
Joni Adamson and Juan Carlos Galeano, with Illustrations by Solmi Angarita
List of Contributors
Index
This book visits the intersections between Ecocriticism and Indigenous and Native American Studies, and between academic theory and pragmatic eco-activism conducted by multiethnic and indigenous communities. It illuminates how artistic expressions render ecological connections, drawing on scholars working with Indigenous artistsin film, literature, performance, and other forms of multimedia. It engages with environmental concepts such as multispecies ethnography, cosmopolitics, and trans-indigeneity, and with new areas of ecocritical research such as material ecocriticism, biosemiotics, and media studies, offering new directions for ecocritical thought and environmental humanities practice.
Joni Adamson is Professor of English and Environmental Humanities and Senior Sustainability Scholar at the Global Institute of Sustainability at Arizona State University, USA.
Salma Monani is Associate Professor in the Environmental Studies department at Gettysburg College, USA.