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29.11.2024 um 19:30 Uhr
Robert Wilson
von Maria Shevtsova
Verlag: Routledge
Taschenbuch
ISBN: 978-1-138-59942-0
Auflage: 2. Auflage
Erschienen am 25.10.2018
Sprache: Englisch
Format: 198 mm [H] x 129 mm [B] x 12 mm [T]
Gewicht: 233 Gramm
Umfang: 214 Seiten

Preis: 58,80 €
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Biografische Anmerkung
Inhaltsverzeichnis
Klappentext

Maria Shevtsova is Professor of Drama and Theatre Arts at Goldsmiths, University of London. Her books include Dodin and the Maly Drama Theatre: Process to Performance (2004), Fifty Key Theatre Directors (2005), Sociology of Theatre and Performance (2009), Directors/Directing: Conversations on Theatre (co-authored, 2009) and The Cambridge Introduction to Theatre Directing (co-authored, 2013). All her books have been translated into multiple languages, and she is co-editor of New Theatre Quarterly.



CONTENTS

List of figures

Acknowledgements

    1. A WORKING LIFE
    2. Becoming Robert Wilson

      Dance plays, silent operas and words

      Art and politics: the 1960s and after

      Wilson after Einstein

    3. METHOD, ELEMENTS AND PRINCIPLES
    4. A workshop method

      Elements and principles

    5. EINSTEIN ON THE BEACH

    Itinerary and reception

    Einstein on the Beach: a landmark

    Structure and form

    Breakdown of the work

    Summing up

    4. POST SCRIPTUM OF 2017: PUSHKIN'S FAIRY TALES

    Style and 'camp'

    Display and cultural evocation

    5. PRACTICAL EXERCISES

    Movement

    Body imaging

    Make-up

    Composing a silent play

    Sound and music

    Working with texts

    Light

    A short glossary of terms

    Bibliography

    Index



Robert Wilson is an American-European director who is also a performer, installation artist, writer, designer of light and much more besides - a crossover polymath who dissolves both generic and geographical boundaries and is a precursor of globalisation in the arts. This second edition of Robert Wilson combines:
an analysis of his main productions, situated in their American and European socio-cultural and political contexts
a focused, detailed study of Wilson's pathbreaking Einstein on the Beach
a study of Pushkin's Fairy Tales as the foremost example of his folk-rock music theatre in the twenty-first century
an exploration of his 'visual book', workshop and rehearsal methods, and collaborative procedures
a study of his aesthetic principles and the elements of composition that distinguish his directorial approach
a series of practical exercises for students and practitioners highlighting Wilson's technique.
As a first step towards critical understanding, and as an initial exploration before going on to further, primary research, Routledge Performance Practitioners offer unbeatable value for today's student.


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