There was a time seven centuries ago when Famagusta's wealth and renown could be compared to that of Venice or Constantinople. The Cathedral of St Nicholas in the main square of Famagusta, serving as the coronation place for the Crusader Kings of Jerusalem after the fall of Acre in 1291, symbolised both the sophistication and permanence of the French society that built it. The essays here represent a major contribution to the study of Medieval and Renaissance Famagusta and its surviving art and architecture and also propose a series of strategies for preserving the city's heritage in the future. They will be of particular interest to students and scholars of Gothic, Byzantine and Renaissance art and architecture, and to those of the Crusades and the Latin East, as well as the Military Orders.

Michael J. K. Walsh is Associate Professor of Art History in the School of Art, Design and Media, at Nanyang Technological University in Singapore; Peter W. Edbury is Professor of Medieval History at Cardiff University, UK; Nicholas S.H. Coureas is a Senior Researcher at the Cyprus Research Centre in Nicosia, Cyprus.

Contents: Foreword, Phillip Roux de Lusignan; Preface, Nicola Coldstream; Introduction - Famagusta: an imperilled cultural mosaic in the Eastern Mediterranean, The Editors; Part I History and Historiography: Camlet manufacture, trade in Cyprus and the economy of Famagusta from the 13th to the late 15th century, David Jacoby; Famagusta and the tradition of history writing in Frankish Cyprus, Peter W. Edbury; Mythes et réalités de la présence templière à Famagouste, Pierre-Vincent Claverie; Taverns in medieval Famagusta, Nicholas S.H. Coureas. Part II Art and Architecture: St Nicholas in Famagusta: a new approach to the dating, chronology and sources of architectural language, Arne Franke; Notes on the marginal sculpture of the cathedral of St Nicholas, Allan Langdale; Les Ordres mendiants à Famagouste: une référence spirituelle et architecturale, Thierry Soulard; The Holy Mother of God Armenian church in Famagusta, Dickran Kouymjian; Gothic and Byzantine in the monumental arts of Famagusta: diversity, permeability and power, Justine M. Andrews; Famagusta from a Latin perspective: Venetian heraldic shields and other fragmentary remains, Vincenzo Lucchese; The military architecture of Venetian Famagusta, Gianni Perbellini. Part III Conservation: What lies beneath: a contemporary survey of the surviving frescoes of the churches in the Syrian quarter of Famagusta, Michael J.K. Walsh; 20th-century restorations to the medieval and Renaissance monuments of Famagusta, Ege Uluca Tÿmer; Monumental buildings in the revitalization process of historic urban quarters: the case of the walled city of Famagusta, Naciye Doratli; An inspection of three of Famagusta's churches, Paulo B. Lourenço and Luís F. Ramos; An assessment of the structural fabric of the church of Saints Peter and Paul: a case study in historical reference and structural appraisal, George S. Ballard and Stephen W. Kemp; The historic walled city of Famagusta, 2008: a report, Robert Silman and Kent Severs