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Visions of Precarity in Japanese Popular Culture and Literature
von Kristina Iwata-Weickgenannt, Roman Rosenbaum
Verlag: Routledge
Taschenbuch
ISBN: 978-1-138-10418-1
Erschienen am 24.05.2017
Sprache: Englisch
Format: 234 mm [H] x 156 mm [B] x 14 mm [T]
Gewicht: 386 Gramm
Umfang: 250 Seiten

Preis: 84,20 €
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Biografische Anmerkung
Inhaltsverzeichnis
Klappentext

Kristina Iwata-Weickgenannt is Associate Professor in the Graduate School of Letters, Nagoya University, Japan.

Roman Rosenbaum is Honorary Associate in Japanese Studies at the University of Sydney, Australia.



Foreword: Liberty and equality in Japan's unequal society 1. Towards an introduction: Japan's literature of precarity, Roman Rosenbaum 2. Kirino Natsuo's Metabola, or the Okinawan stage, fractured selves and the precarity of contemporary existence 3. Precarity, kawaii (cuteness), and their impact on environmental discourse in Japan 4. Part-timer, buy a house. Middle-class precarity, sentimentality and learning the meaning of work 5. Precarious attraction: Abe Kazushige's Individual Projection post-bubble 6. Hirabayashi Eiko and the projection of a viable proletarian vision 7.The Precarious Self: Love, melancholia and the eradication of adolescence in Makoto Shinkai's anime works 8. Graphic representation of the precariat in popular culture 9.Towards new literary trend: Contemporary Japanese society mirrored in literature 10. Cinematic Narratives of Precarity: Gender and Affect in Contemporary Japan 11. Precarity beyond 3/11 or 'Living Fukushima'--Power, politics, and space in Wagô Ryôichi's poetry of disaster



This book addresses the transition from postwar to post-disaster literature and examines the rise of precarity consciousness in Japanese socio-cultural discourse. Recent natural as well as man-made cataclysmic events have dramatically changed the status quo of contemporary Japanese society. This radically new worldview has significantly altered the socio-political as well as literary perception of one of the world's former superpowers and in this book the contributors closely examine how Japan's new paradigm of precarious existence is expressed through a variety of pop-cultural and literary media.


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