Neo-Feminist Cinema examines how Hollywood has responded to women's changing social roles. Radner pays particular attention to how the contemporary woman's film portrays what some have called postfeminism and what the author redefines as neo-feminism, represented by figures such as Helen Gurley Brown-women for whom work was a necessity, rather than a right or even a privilege. Popular films explored include He's Just Not That Into You, The Devil Wears Prada, Bride Wars, Sex and the City, and many more.

Hilary Radner is Professor and Foundation Chair of Film and Media Studies at the University of Otago in New Zealand. She is author of Shopping Around: Feminine Culture and the Pursuit of Pleasure and co-editor of several books including New Zealand Cinema: Interpreting History (forthcoming); Jane Campion: Cinema, Nation, Identity; Swinging Single: Representing Sexuality in the 1960s; Constructing the New Consumer Society; and Film Theory Goes to the Movies, also published by Routledge.

Introduction: Reassessing Feminism and Popular Culture. 1. Neo-feminism and the Rise of the Single Girl 2. Pretty Woman and the Girly Film: Defining the Format 3. Romy and Michele's High School Reunion: Female Friendship in the Girly Film 4. Legally Blonde: "A Pink Girl in a Brown World" 5.Jennifer Lopez: Neo-Feminism and the Crossover Star 6. Maid in Manhattan: A New Fairy Tale 7. Hit Movies for "Femmes" 8. The Devil Wears Prada: The Fashion Film 9. Sex and the City: The Movie: The Female Event Film 10. Something's Gotta Give: Nancy Meyers, Neo-Feminist Auteur. Conclusion: Post-feminism and Neo-feminism