What happens to traditional conceptions of heritage in the era of fluid media spaces? Contemporary media allow digital environments to function as transnational classrooms, creating virtual spaces of debate for people with access to televised, cinematic and Internet ideas and networks. This book examines a range of popular cinematic interventions that are reshaping national and global heritage, across Europe, Asia, the Americas and Australasia.

Rodanthi Tzanelli is Lecturer in Sociology at the University of Leeds. Her interests centre on globalization, cosmopolitanism, identity, media and tourism. She has published five books, including The Cinematic Tourist: Explorations in globalization, culture and resistance (2007) and Cosmopolitan Memory in Europe's 'Backwaters': Rethinking civility (2011).

1. Rethinking Heritage: Cultural Industries and Global Kin 2. Heritage Entropy? Cinematic Pilgrimage in New Zealand (2010) 3. The Da Vinci 'Node': Networks of Neo-Pilgrimage in the European Cosmopolis (2006-2008) 4. Projecting European Heritage: Acropolis in Ruins (2009) 5. Memory and Protest: Yimou Zhang's and Ai Weiwei's Artwork (2004-2011) 6. From Deep Ecology to Thick Description: Avatar's (2009) 'Cosmology of Protest'. Bibliography