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Crime Fiction
von John Scaggs
Verlag: Taylor & Francis
Reihe: The New Critical Idiom
E-Book / EPUB
Kopierschutz: Adobe DRM


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ISBN: 978-1-134-36823-5
Auflage: 1. Auflage
Erschienen am 14.01.2005
Sprache: Englisch
Umfang: 184 Seiten

Preis: 31,49 €

Biografische Anmerkung
Klappentext
Inhaltsverzeichnis

John Scaggs is a Lecturer in the Department of English at Mary Immaculate College in Limerick, Ireland. His research interests include Modern Fiction, with a particular emphasis on crime fiction and revenge tragedy, the Gothic and Literary Theory.



Provides a lively introduction to what is both a wide-ranging and hugely popular literary genre. Accessible and clear, this comprehensive overview is the essential guide for all those studying crime fiction.



Introduction Chapter 1. A Chronology of Crime: Early Crime Narratives Crime Stories as Cautionary Tales Crime Fiction and Policing The Golden Age to the Present Chapter 2. Mystery and Detective Fiction: Retracing the Steps The Origins of Mystery Fiction Reasoning Machines: The Figure of the Amateur Detective Escalating Crimes: From Purloined Letters to Murder Maintaining Social Order and the Status Quo Settings and Sub-Genres Chapter 3. The Hard-boiled Mode: Murder for a Reason Origins and Development A Shop-Soiled Galahad: The Private Eye Hero Last Chances and New Beginnings: The Myth of the Frontier Mean Streets and Rat's Alleys: Modernity and the City Fallen Angels: Appropriation of the Hard-Boiled Mode Chapter 4. The Police Procedural: Thin Blue Lines Fiction as Ideological State Apparatus Private Eye to Public Eye: The Development of the Procedural Textual Investigations: Characteristics of the Procedural, Social Placebo The Magic Bullet of Procedural Reassurance Arrested Developments: Appropriations of the Procedural Chapter 5. The Crime Thriller: Outlining the Crime Thriller The Noir Thriller The Anti-Conspiracy Thriller 6. Historical Crime Fiction: Writing History and Interpreting the Past Crime, History and Realism The Case of the Name of the Rose Postmodernism and the Anti-Detective Novel


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