A revolutionary account of abstraction in the visual arts since the decline of the formalist paradigms.

Mark A. Cheetham is Professor of Art History and Director of the Canadian Studies Program at the University of Toronto. A recipient of fellowships and grants from the John Simon Guggenheim Foundation, the Sterling and Francine Clark Art Institute, and the Social Sciences and Humanities Research Council of Canada, he is the author and co-editor of seven books, including Kant, Art, and Art History, The Subjects of Art History, The Rhetoric of Purity, and Theory Between the Disciplines: Authority/Vision/Politics.

1. Past to present: a diagnosis of recent abstraction; 2. White mischief: monochromes; 3. Mirror digressions: stages; 4. Possible futures: abstraction as infection and cure.