Philip Hayward is editor of the Island Studies journal Shima and holds adjunct professor positions at the University of Technology Sydney and at Southern Cross University (Australia). He has previously published books on topics such as horror cinema and cultural heritage in the Pacific. He is also a member of audio-visual ensemble The Moviolas and was co-curator of an exhibition entitled Making a Splash: Mermaids and Modernity being held at Sydney¿s Macquarie University Art Gallery in mid-2017 to accompany the launch of this volume.

Introduction: Tails, Tresses and Elusive Otherness
 
Chapter 1 - Becoming Ariel, Becoming Ursula: Hans Christian Andersen's 'Den lille Havfrue' and its Disneynification
 
Chapter 2 - Flauntation and Fascination: The Alluring Mermaid and her Charms
 
Chapter 3 - Sonic Seduction: Mermaid Vocality and its Expression in Screen Soundtracks
(co-authored with Jon Fitzgerald)
 
Chapter 4 - Making Out: Sexuality and the Transformative Mermaid
 
Chapter 5 - Channeling the Anima: Inspirational Folklore in The Mermaid Chair
 
Chapter 6 - "Mermaid-like a while": Juvenile Mermaids and Aficionado Culture  
 
Chapter 7 - At the Margins: Mermen on the Screen
 
Chapter 8 - Crypto-Science and Hoax TV: Animal Planet's Mermaid Documentaries
 
Conclusion
 
Appendix 1 - Chronological catalogue of audiovisual productions featuring mermaids and mermen referenced in the volume
 
Bibliography
 
General Index