Essays on the continuing power and applicability of medieval images, with particular reference to recent films.

Arthurian Melodrama, Chaucerian Spectacle, and the Waywardness of Cinematic Pastiche in First Knight and A Knight's Tale - Nickolas Haydock
Modern Mystics, Medieval Saints - Gwendolyn Morgan
Seeking the Human Image in The Advocate - William Woods
Harold in Normandy: History and Romance - Carl Hammer
The Day of a Thousand Years: Winchester's 1901 Commemoration of Alfred the Great - Joanne Parker
Eric Brighteyes: Rider Haggard rewrites the Sagas - Jona Hammer
'Biddeth Peres Ploughman go to his werk': Appropriation of Piers Plowman in the Nineteenth and Twentieth Centuries - Paul Hardwick
What Tales of a Wayside Inn tells us about Longfellow and about Chaucer - William Calin
Bad Baronets and the Curse of Medievalism - Clare A Simmons
'The Bony Grasping Hand': Nineteenth-Century American Protestant Views on Medieval Canon Law - Bruce Brasington