Collection of essays on the role of gender in jazz studies.

Acknowledgments vii
Introduction / Nichole T. Rustin and Sherrie Tucker 1
Part I. Rooting Gender in Jazz History
Separated at "Birth": Singing and the History of Jazz / Lara Pellegrinelli 31
With Lovie and Lil: Rediscovering Two Chicago Pianists of the 1920s / Jeffrey Taylor 48
Gender, Jazz, and the Popular Front / Monica Hairston 64
"The Battle of the Saxes": Gender, Dance Bands, and British Nationalism in the Second World War / Christina Baade 90
Identity for Sale: Glenn Miller, Wynton Marsalis, and Cultural Replay in Music / Tracy McMullen 129
Part II. Improvising Gender: Embodiment and Performance
From the Point of View of the Pavement: A Geopolitics of Black Dance / Jayna Brown 157
Perverse Hysterics: The Noisy Cri of Les Diaboliques / Julie Dawn Smith 180
"Born Out of Jazz . . . Yet Embracing All Music": Race, Gender, and Technology in George Russell's Lydian Chromatic Concept / Eric Porter 210
"But This Music is Mine Already!" : "White Woman" as Jazz Collector in the Film New Orleans (1947) / Sherrie Tucker 235
Fitting the Part / Ingrid Monson 267
Part III. Reimagining Jazz Representations
"Better a Jazz Album Than Lipstick" (Lieber Jazzplatte Als Lippenstift): The 1956 Jazz Podium Series Reveals Images of Jazz and Gender in Postwar Germany / Ursel Schlicht 291
Exclusion, Openness, and Utopia in Black Male Performance at the World Stage Jazz Jam Sessions / João H. Costa Vargas 320
"It Takes Two People to Confirm the Truth": The Jazz Fiction of Sherley Ann Williams and Toni Cade Bambara / Farah Jasmine Griffin 348
"Blow, Man, Blow!": Representing Gender, White Primitives, and Jazz Melodrama Through A Young Man With A Horn / Nichole T. Rustin 361
The Gendered Jazz Aesthetics of That Man of Man: The International Sweethearts of Rhythm and Independent Black Sound Film / Kristin McGee 393
Bibliography 423
Contributors 435
Index 441

Nichole T. Rustin and Sherrie Tucker, eds.