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18.11.2024 um 19:30 Uhr
The Queen's Library
Image-Making at the Court of Anne of Brittany, 1477-1514
von Cynthia J. Brown
Verlag: Princeton University Press
Reihe: Material Texts
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Kopierschutz: Adobe DRM


Speicherplatz: 37 MB
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ISBN: 978-0-8122-0490-2
Erschienen am 06.06.2011
Sprache: Englisch
Umfang: 416 Seiten

Preis: 110,99 €

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Inhaltsverzeichnis
Klappentext

List of Illustrations
Introduction
Chapter One. Rituals of Entry: Women and Books in Performance
Chapter Two. Female Patronage and the Politics of Personification Allegory
Chapter Three. Women Famous and Infamous: Court Controversies About Female Virtues
Chapter Four. Famous Women in Mourning: Trials and Tribulations
Chapter Five. Women Mourned
Appendix. Manuscript and Printed Books Associated with Anne of Brittany
List of Abbreviations
Notes
Bibliography
Index
Acknowledgments



What do the physical characteristics of the books acquired by elite women in the late medieval and early modern
periods tell us about their owners, and what in particular can their illustrations-especially their illustrations of women-reveal? Centered on Anne, duchess of Brittany and twice queen of France, with reference to her contemporaries and successors, The Queen's Library examines the cultural issues surrounding female modes of empowerment and book production. The book aims to uncover the harmonies and conflicts that surfaced in male-authored, male-illustrated works for and about women.
In her interdisciplinary investigation of the cultural and political legacy of Anne of Brittany and her female contemporaries, Cynthia J. Brown argues that the verbal and visual imagery used to represent these women of influence was necessarily complex because of its inherently conflicting portrayal of power and subordination. She contends that it can be understood fully only by drawing on the intersection of pertinent literary, historical, codicological, and art historical sources. In The Queen's Library, Brown examines depictions of women of power in five spheres that tellingly expose this tension: rituals of urban and royal reception; the politics of female personification allegories; the "famous-women" topos; women in mourning; and women mourned.


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