This compelling book uses 103 illustrations to argue that modes of visualizing science have profoundly determined "fetal politics" and the contemporary abortion debates. With its close interplay of visual and verbal texts, it traces both the history of fetal images from the sixteenth century onward (including the classic Life magazine photographs of Lennart Nilsson in 1965) and the consequences of how obstetrical and embryological knowledge was represented over time in Europe--to both specialists and the public--as medical knowledge came to be produced and understood through anatomical observation.
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Karen Newman is University Professor and Professor of Comparative Literature and English at Brown University. She is the author, most recently, of Fashioning Femininity and English Renaissance Drama.