Bücher Wenner
Wer wird Cosplay Millionär?
29.11.2024 um 19:30 Uhr
Victorian Literature
von David Amigoni
Verlag: Edinburgh University Press
Reihe: Edinburgh Critical Guides to L
Hardcover
ISBN: 978-0-7486-2563-5
Erschienen am 23.03.2011
Sprache: Englisch
Format: 218 mm [H] x 139 mm [B] x 17 mm [T]
Gewicht: 290 Gramm
Umfang: 232 Seiten

Preis: 31,00 €
keine Versandkosten (Inland)


Jetzt bestellen und voraussichtlich ab dem 1. Dezember in der Buchhandlung abholen.

Der Versand innerhalb der Stadt erfolgt in Regel am gleichen Tag.
Der Versand nach außerhalb dauert mit Post/DHL meistens 1-2 Tage.

klimaneutral
Der Verlag produziert nach eigener Angabe noch nicht klimaneutral bzw. kompensiert die CO2-Emissionen aus der Produktion nicht. Daher übernehmen wir diese Kompensation durch finanzielle Förderung entsprechender Projekte. Mehr Details finden Sie in unserer Klimabilanz.
Klappentext
Biografische Anmerkung
Inhaltsverzeichnis

Edinburgh Critical Guides to Literature
Series Editors: Martin Halliwell & Andy Mousley
This series provides accessible yet provocative introductions to a wide range of literatures. The volumes will initiate and deepen the reader's understanding of key literary movements, periods and genres, and consider debates that inform the past, present and future of literary study. Resources such as glossaries of key terms and details of archives and internet sites are also provided, making each volume a comprehensive critical guide.
Victorian Literature
David Amigoni
How were the genres of literature changed by new methods of serialization and publishing? How did a widespread culture of performance emerge in the period to shape as well as to be shaped by the novel and poetry? David Amigoni draws on the most recent critical approaches to the novel, Victorian melodrama and poetry to answer these and other questions. The work of Charles Dickens, George Eliot, Oscar Wilde, Alfred Tennyson, Robert Browning, Christina Rossetti, Thomas Hardy, Thomas Carlyle and Mathew Arnold are explored in relation to ideas about fiction, journalism, drama, poetry, the New Woman, gothic, horror and the Victorian sage.
Key Features
* Detailed readings of key texts provide models of how to read critically
* Demonstrates the interaction between genres to help think through modes of artistic experimentation and innovation in the period
* Examines Neo-Victorian fiction, a popular genre today
* Student resources include electronic and reference sources, further reading and an extensive glossary of key critical terms and historical issues
David Amigoni is Professor of Victorian Literature at Keele University.



David Amigoni is Professor of Victorian Literature at Keele University. He is the author of The English Novel and Prose Narrative (Edinburgh University Press, 2000) and Victorian Biography: Intellectuals and the Ordering of Discourse (Harvester Wheatsheaf, 1992). He is co-editor, with Jeff Wallace, of Charles Darwin's 'Origin of Species': New Interdisciplinary Essays (Manchester UP, 1995), and co-editor, with Paul Barlow and Colin Trodd, of Victorian Culture and the Idea of the Grotesque (Ashgate, 1999).



Chronology; Introduction to Victorian literature: Perspectives, Relationships, Contexts;
Generic Traffic in Strangely Modern Places: Locating the Victorians (again); Observing 'Public Culture' in mid-Victorian Britain: an Ant colony, Ivy and Two Poets named 'Alfred';
'Civilization and its Discontents': Productivity, Power and Governance in Dickens's Hard Times; Concluding Summary; 1: Novel Sensations in Early and Mid-Victorian Fiction: from 'Boz' to Middlemarch; Dickens the Novelist, Dickens the Journalist: Modes of Publication,
Sketches, and the Making of The Old Curiosity Shop; Moving Sensations: Performing The Old Curiosity Shop; The Novel at mid-Century: Forming a Victorian Canon; Variable Sensations of the Real: Middlemarch; Concluding Summary; 2: Theatrical Exchanges: Gendered Subjectivity and Identity Trials in the Dramatic Imagination; Locating, Regulating and Expanding the Effects of 'Theatricality' in Victorian Culture; Melodrama and Public History: the Sexualized Conflicts of Empire in Boucicault's Jessie Brown;
Masculinity, Melodrama and Mind: The Frozen Deep; Earnest Laughter, Queer Laughter: Fictive, Multiple identities in Farcical Dramas by Dickens and Wilde; Concluding Summary 3: Poetry: Dramatic Monologues and Critical Dialogues; Voicing Sensation in Tennyson and Browning: the Dramatic Monologue and Cultural Debate; Controversies of Faith: Doubt, Evolution and Love in a Modern Age; Making Women's Voices: Fairy Tales, Christian Tales, Old Wives' Tales; Concluding Summary 4: Victorians in Critical Time: Fin de Siècle and Sage-culture; Victorians at the end of Time: Thomas Hardy, New Women and Gothic; Horrors at the fin de siècle; Victorian Sages in Critical Time: Carlyle and Arnold; Concluding Summary; Conclusion: Neo-Victorianism, Postmodernism and Underground Cultures; Student Resources; Electronic sources and reference sources; Glossary; Guide to further reading; Index.


andere Formate
weitere Titel der Reihe