Finding Fogerty: Interdisciplinary Readings of John Fogerty and Creedence Clearwater Revival, edited by Thomas M. Kitts, begins to correct the scholarly neglect of John Fogerty, one of America's great songwriters, one of the rock era's great vocalists, and one of its underrated guitarists and producers. This essential collection pulls together scholars from a wide range of disciplines and approaches to assess Fogerty's fifty-year career and to argue for his musical and cultural significance.

Introduction
by Thomas M. Kitts
Part One. "Born on the Bayou"
Chapter One. "Born on the Bayou": CCR and the Evocation of Place
by Jeff Sellars
Chapter Two. Reviving the Pre-Sixties: Creedence on a Sixties/Seventies Cusp
by Stephen Paul Miller
Chapter Three. John Fogerty: Middle-Class Hero
by Jake Sudderth
Chapter Four. Down to the River: Narrative, Blues, and the Common Man in John Fogerty's Imagined Southern Gothic
by Robert McParland
Part Two. "Run Through the Jungle"
Chapter Five. "Devil's on the Loose": Creedence Clearwater Revival and the Religious Imagination
by Theodore Louis Trost
Chapter Six. Flying the Flannel: An Americana Salute to Creedence Clearwater Revival
by Timothy Gray
Chapter Seven. The 1969 Creedence Clearwater Revival Recording Contract and How it Shaped the Future of the Group and its Members
by Hank Bordowitz
Part Three. "Centerfield"
Chapter Eight. America as Patron and Muse: The Creation of the Blue Ridge Rangers
by Lawrence Pitilli
Chapter Nine. The 1980s Comeback of John Fogerty
by Thomas M. Kitts
Chapter Ten. Multimodal Fogerty: Scoring and Scaffolding the Music of CCR to a Vietnam War Literature Unit
by Christian Z. Goering and Wiliam C. Sewell
Part Four. "Keep on Chooglin"
Chapter Eleven. John Fogerty and America's Three Rock Generations
by B. Lee Cooper, with research assistance from William L. Schurk
Chapter Twelve. The Political Legacy of Fogerty: Forty Years of Parallel Messages
by William J. Miller and Jeremy D. Walling
Chapter Thirteen. "Rockin' All Over the World": John Fogerty's Place in American Popular Music
by Nick Baxter-Moore

Thomas M. Kitts is professor of English and Chair of the Division of English and Speech at St. John's University, New York.