The fullest study of Georges Franju to date, and the first book on him in English since 1967

Kate Ince is Senior Lecturer in French and Gender Studies at the University of Birmingham

Series Editors' Foreword
Acknowledgements
Preface
Introduction
1. Documenting modernity: Franju's cinema in the age of the 'court métrage'
2. Beyond 'cinéma fantastique': The genres of Franju's 'longs métrages'
3. 'Mise en scène' and the art of the real: Franju's cinematic aesthetics
4. Surviving the reign of the father: Gender, the family and eroticism
Conclusion
Filmography
Select bibliography
Index