The American Novel series provides students of American literature with introductory critical guides to great works of American literature. Each volume begins with a substantial introduction by a distinguished authority on the text, giving details of the work's composition, publication history, and contemporary reception, as well as a survey of the major critical trends and readings from first publication to the present. This overview is followed by a group of new essays, each specially commissioned from a leading scholar in the field, which together constitute a forum of interpretative methods and prominent contemporary ideas on the text. There are also helpful guides to further reading. Specifically designed for undergraduates, the series will be a powerful resource for anyone engaged in the critical analysis of major American novels and other important texts. James Baldwin's first novel, Go Tell It on the Mountain, has gained a wide readership and much critical acclaim since its publication in 1953. Although most critics have seen it as focusing exclusively on the African American fundamentalist church and its effect on characters brought up within its tradition, these scholars posit that issues of homosexuality, the social construction of identity, anthropological conceptions of community, and the quest for an artistic identity provide more elucidating approaches to the novel.

1. Introduction Trudier Harris; 2. A glimpse of the hidden God: dialectical visions in Baldwin's Go Tell It on the Mountain Michael F. Lynch; 3. The South in Go Tell It on the Mountain: Baldwin's personal confrontation Horace Porter; 4. Wrestling with The Love That Dare Not Speak Its Name: John, Elisha, and the Master Bryan R. Washington; 5. Ambivalent narratives, fragmented selves: performative identities and the mutability of roles in James Baldwin's Go Tell It on the Mountain Vivian M. May; 6. Baldwin, communitas, and the black masculinist tradition Keith Clark.