In this second book of her trailblazing trilogy, Marsha Meskimmon proposes that decolonizing, ecocritical, feminist art's histories can unravel the anthropocentric legacies of Eurocentric universalism, to create transformative conversations between and across many and more-than-human worlds.

Marsha Meskimmon is Professor of Transnational Art and Feminisms, and Director of the Institute of Advanced Studies at Loughborough University (UK). Her publications include Transnational Feminisms, Transversal Politics and Art: Entanglements and Intersections (2020), Contemporary Art and the Cosmopolitan Imagination (2010), Women Making Art: History, Subjectivity, Aesthetics (2003), all with Routledge.

Introduction

Part I Storying Pluriversal Worlds

1. Transcanons: Transhemispheric Stories for Pluriversal Worlds

Part II Practice and Flourish

2. Poetic Stories: Genealogies of Work and Survival with Audre Lorde

3. Pedagogical Worlds: Expansive Ecologies of Connection and Care

Part III Worlding Pluriversal Stories

4. Trans-Scalar Ecologies: Worlding Planetary Feminist Stories with Art

Afterword: On Trilogics