How does postcolonial theory recast the debates in cinema studies, and with what aesthetic, economic and political implications? How does postcolonial cinema, in turn, contribute to and, at times, reframe postcolonial debates?
Postcolonial cinema is presented here not a rigid category within which cinematic productions from the 'Third World' or the 'Global South' are to be confined, but as a critical tool with which to address issues of counter-hegemony, resistance, and alternative forms of representation in film productions, past and recent.
Contributors include: Jude Akudinobi, Kanika Batra, Ruth Ben-Ghiat, Julie Codell, Sabine Doran, Hamish Ford, Claudia Hoffmann, Anik Imre, Paulo de Medeiros, Panivong Norindr, Sandra Ponzanesi, Richard Rice, Mireille Rosello, Marguerite Waller

Introduction, Sandra Ponzanesi and Marguerite Waller Part I Cinemas of Empire Introduction to Part I, Sandra Ponzanesi and Marguerite Waller 1. Italian Fascism¿s Empire Cinema: Kif Tebbi, the Conquest of Libya, and the Assault on the Nomadic, Ruth Ben-Ghiat 2. Blackface, Faciality, and Colony Nostalgia in 1930s Empire Films, Julie Codell 3. The Socialist Historical Film, Anikó Imre Part II Postcolonial Cinemas: Unframing Histories Introduction to Part II, Sandra Ponzanesi and Marguerite Waller 4. From `Over There¿ to Inside: Camp de Thiaroye, The Battle of Algiers and Hidden, Hamish Ford 5. Fraught Frames: Fatima, l¿algérienne de Dakar and Postcolonial Quandaries, Jude Akudinobi 6. Postcolonial Relationalities: Toulon, Oran, Mecca, and Palestine: Philippe Faucon's Dans la vie, Mireille Rosello 7. The Postcolonial Condition of "Indochinese" Cinema from Vi¿t Nam, Cambodia and Laos, Mariam B. Lam Part III Postcolonial Cinemas: Aesthetics Introduction to Part III, Sandra Ponzanesi and Marguerite Waller 8. Spectral Postcoloniality: Lusophone Postcolonial Film and the Imaginary of the Nation, Paulo de Medeiros 9. The Aesthetics of Postcolonial Cinema in Raul Ruiz¿s Three Crowns of the Sailor, Sabine Doran 10. The Postcolonial Circus: Maurizio Nichetti¿s Luna e l¿altra, Marguerite Waller 11. Postcolonial Adaptations: Gained and Lost in Translation, Sandra Ponzanesi Part IV Postcolonial Cinemas and Globalization Introduction to Part IV, Sandra Ponzanesi and Marguerite Waller 12. Unpeople: Postcolonial Reflections on Terror, Torture and Detention in Children of Men, Shohini Chaudhuri 13. Mira Nair¿s Monsoon Wedding and the Transcoded Audiologic of Postcolonial Convergence, Kanika Batra and Richard Rice 14. Nollywood Films in Transit: The Globalization of Postcolonial African Cultural Productions, Claudia Hoffmann Postface: On Teaching Postcolonialism and Cinema, Interview with Priya Jaikumar conducted by Marguerite Waller

Sandra Ponzanesi is Associate Professor of Gender and Postcolonial Critique, department of Media and Culture Studies/Gender Programme at Utrecht University, the Netherlands. Among her publications are Paradoxes of Post-colonial Culture (2004), Migrant Cartographies (2005) and Deconstructing Europe: Postcolonial Perspectives (Routledge, 2011).

Marguerite Waller is Professor of Women's Studies and Comparative Literature at the University of California, Riverside. Among her publications are Frontline Feminisms (Routledge, 2001), Federico Fellini (2002), Dialogue and Difference: Feminisms Challenge Globalization (2005), and The Wages of Empire (2007).