Bücher Wenner
Denis Scheck stellt seine "BESTSELLERBIBEL" in St. Marien vor
25.11.2024 um 19:30 Uhr
Literary Ghosts from the Victorians to Modernism
The Haunting Interval
von Luke Thurston
Verlag: Routledge
Gebundene Ausgabe
ISBN: 978-0-415-50966-4
Erschienen am 09.05.2012
Sprache: Englisch
Format: 235 mm [H] x 157 mm [B] x 16 mm [T]
Gewicht: 456 Gramm
Umfang: 204 Seiten

Preis: 213,00 €
keine Versandkosten (Inland)


Dieser Titel wird erst bei Bestellung gedruckt. Eintreffen bei uns daher ca. am 4. Dezember.

Der Versand innerhalb der Stadt erfolgt in Regel am gleichen Tag.
Der Versand nach außerhalb dauert mit Post/DHL meistens 1-2 Tage.

klimaneutral
Der Verlag produziert nach eigener Angabe noch nicht klimaneutral bzw. kompensiert die CO2-Emissionen aus der Produktion nicht. Daher übernehmen wir diese Kompensation durch finanzielle Förderung entsprechender Projekte. Mehr Details finden Sie in unserer Klimabilanz.
Inhaltsverzeichnis
Biografische Anmerkung
Klappentext

Prologue: Beyond My Notation Part I: Literary Hospitality 1. The Spark of Life 2. Zigzag: The Signalman Part II: Guests ¿ Ghosts 3. Broken Lineage: M. R. James 4. Ineffaceable Life: Henry James Part III: Hosts of the Living 5. A Loop in a Mesh: May Sinclair 6. Distant Music: Woolf, Joyce 7. Double-Crossing: Elizabeth Bowen Conclusion: The Ghostly Path Notes Bibliography Index



Luke Thurston is Senior Lecturer in Modern Literature at Aberystwyth University, UK. He is the author of James Joyce and the Problem of Psychoanalysis (2004), the editor of Re-inventing the Symptom: Essays on the Final Lacan (2002), and the translator of works by Jean Laplanche and André Green.



This book resituates the ghost story as a matter of literary hospitality and as part of a vital prehistory of modernism, seeing it not as a quaint neo-gothic ornament, but as a powerful literary response to the technological and psychological disturbances that marked the end of the Victorian era. Linking little-studied authors like M. R. James and May Sinclair to such canonical figures as Dickens, Henry James, Woolf, and Joyce, Thurston argues that the literary ghost should be seen as no mere relic of gothic style but as a portal of discovery, an opening onto the central modernist problem of how to write 'life itself.' Ghost stories are split between an ironic, often parodic reference to Gothic style and an evocation of 'life itself,' an implicit repudiation of all literary style. Reading the ghost story as both a guest and a host story, this book traces the ghost as a disruptive figure in the 'hospitable' space of narrative from Maturin, Poe and Dickens to the fin de siècle, and then on into the twentieth century.


andere Formate