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18.11.2024 um 19:30 Uhr
Poetics of Conduct
Oral Narrative and Moral Being in a South Indian Town
von Leela Prasad
Verlag: Columbia University Press
E-Book / EPUB
Kopierschutz: Adobe DRM


Speicherplatz: 19 MB
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ISBN: 978-0-231-51127-8
Erschienen am 21.11.2006
Sprache: Englisch

Preis: 33,49 €

33,49 €
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Inhaltsverzeichnis
Klappentext

Acknowledgments
Note on Translation and Transliteration
Introduction
1. Sringeri: Place and Placeness
2. Connectedness and Reciprocity: Historicizing Sringeri Upacara
3. Shastra: Divine Injunction and Earthly Custom
4. "The Shastras Say... ": Idioms of Legitimacy and the "Imagined Text"
5. In the Courtyard of Dharma, Not at the Village Square: Delivering Ashirvada in Sringeri
6. Edifying Lives, Discerning Proprieties: Conversational Stories and Moral Being
Ethics, an Imagined Life
Notes
Bibliography
Index



Leela Prasad's riveting book presents everyday stories on subjects such as deities, ascetics, cats, and cooking along with stylized, publicly delivered ethical discourse, and shows that the study of oral narrative and performance is essential to ethical inquiry. Prasad builds on more than a decade of her ethnographic research in the famous Hindu pilgrimage town of Sringeri, Karnataka, in southwestern India, where for centuries a vibrant local culture has flourished alongside a tradition of monastic authority. Oral narratives and the seeing-and-doing orientations that are part of everyday life compel the question: How do individuals imagine the normative, and negotiate and express it, when normative sources are many and diverging? Moral persuasiveness, Prasad suggests, is intimately tied to the aesthetics of narration, and imagination plays a vital role in shaping how people create, refute, or relate to "text," "moral authority," and "community." Lived understandings of ethics keep notions of text and practice in flux and raise questions about the constitution of "theory" itself. Prasad's innovative use of ethnography, poetics, philosophy of language, and narrative and performance studies demonstrates how the moral self, with a capacity for artistic expression, is dynamic and gendered, with a historical presence and a political agency.