Dominic Broomfield-McHugh is Reader in Musicology at the University of Sheffield. His publications include Loverly: The Life and Times of My Fair Lady (2012), Alan Jay Lerner: A Lyricist's Letters (2014), The Complete Lyrics of Alan Jay Lerner (2018) and Adapting The Wizard of Oz: From Baum to MGM and Beyond (2018).

• 1. Adapting Pal Joey: Postwar Anxieties and the Playmate


• 2. Too Darn Hot: Reimagining Kiss Me, Kate for the Silver Screen


• 3. 'A Humane, Practical, and Beautiful Solution': Adaptation and Triangulation in Paint Your Wagon


• 4. 'A Great American Service': George M. Cohan, the Stage, and the Nation in Yankee Doodle Dandy


• 5. Cole Porter's List Songs on Stage and Screen


• 6. The Shifting Sand of Orientalism: The Desert Song on Stage and Screen


• 7. 'You Will Know That She is Our Annie': Comparing Three Adaptations of a Broadway Classic


• 8. The Many Faces of Rio Rita

The second of three volumes, Race, Sexuality, and Gender and the Musical Screen Adaptation: An Oxford Handbook, traces how the genre of the stage-to-screen musical has evolved, focusing in particular of issues of race, gender and sexuality. Enduringly popular adaptations such as Kiss Me Kate and Pal Joey are considered through the lens of identity, while several chapters consider how different adaptations of the same stage musical reflect shifting historical contexts. Together, the chapters incite lively debates about the process of adapting Broadway for the big screen and provide models for future studies.